Tilkunviilaaja®

A few weeks ago, I came across a blog post where a quilter shared a finish. She mentioned being vaguely unhappy with it even though there wasn’t anything wrong with the blocks and the design. I’m pretty sure that most of us have experienced something similar. Looking at a quilty finish and thinking “this may be okay, but I am so done with this: never again”! Of my around 640 quilting projects, these are five that I would not re-make. I’ve analysed the core reasons and shared my learnings. Spectrolite: Problems all along Many years ago, I enjoyed a fun sew-together Saturday with my quilting guild. One of us shared a clever sew-and-cut method for creating a quilt block. I’d seen a quilt that she had made and oh, it looked so good! I wanted to make something as nice as that one! Because I didn’t quite understand value contrast back then, many blocks had too much of it while others didn’t have enough. I used patterned fabrics which read darker than I thought. But the begi...

Quilting fabric colours also follow fashion trends, though the changes aren’t as rapid as in the garment industry. And why wouldn't they? Like all new things, new fabrics are tempting, as we all know (too well)! In this post, I'll share my thoughts of fashionable colours in quilts, and at the end, I will give the promised tips related to the topic. Though many of us quilters follow the current quilting fabric trends, many choose to go against them and favour "old-fashioned" fabrics by choice. Some popular colour/pattern schemes include the so-called “Civil War” and “1930s” fabrics, and there are quilters who purchase vintage bedsheets to create lovely 1970s themed quilted items. For example, my quilty friend Soile created her Ursula quilt – which in this photo is still a surface – and used many Civil War reproduction fabrics whose colours and patterns were invented a long time ago: She also used other than those reproduction fabrics and achieved a perfect c...

Developing a colour palette is important when creating a fabric pull for a block, and when that s ame block repeats across your quilt top. Also if you have defined a colour recipe for your block so that the quilt is built of those similarly coloured blocks. Let’s start with a quick look at the colour wheel. It can be a handy tool in your quilting process, for planning a colour palette – when you want your quilt to have a deliberate, well-thought-out colour scheme. The colour wheel works best for a quilt design if you add the interesting group of colours that isn’t part of the wheel: neutrals. Meaning, black, white, grey and brown in all values and shades. Three ways to use the colour wheel I will share three ways to build a palette using the colour wheel. There are plenty of others, of course! A harmonious palette For a harmonious palette, you will choose colours that sit next to each other on the colour wheel. For your block or quilt, you will then pick fabri...

Today I’m sharing three simple tests that every quilt block should pass. They’re especially worth doing when you’re making a scrappy quilt, where you may have picked a wide colour variety for the blocks. Before we get to the three tests, though, there’s an entrance exam. If a block doesn’t pass that, it cannot move further in your project. The entrance exam for quilt blocks: sewing a test block If you’re making quilt blocks following a pattern, first sew one block using expendable fabrics. Not poor-quality fabrics though, because if your test block colours work with the rest of the quilt, you may very well end up using it in your project. If the test block turns out to be of wrong size, you can also use it as part of your quilt backing. So it is worth picking decent fabrics even for your test block, though fabrics that you aren’t in love with. I often work out my own measurements for blocks, so I’ve sewn more than my fair share of test blocks. Once I had a particular...