Tilkunviilaaja®

A few weeks ago, I came across a blog post where a quilter shared a finish. She mentioned being vaguely unhappy with it even though there wasn’t anything wrong with the blocks and the design. I’m pretty sure that most of us have experienced something similar. Looking at a quilty finish and thinking “this may be okay, but I am so done with this: never again”! Of my around 640 quilting projects, these are five that I would not re-make. I’ve analysed the core reasons and shared my learnings. Spectrolite: Problems all along Many years ago, I enjoyed a fun sew-together Saturday with my quilting guild. One of us shared a clever sew-and-cut method for creating a quilt block. I’d seen a quilt that she had made and oh, it looked so good! I wanted to make something as nice as that one! Because I didn’t quite understand value contrast back then, many blocks had too much of it while others didn’t have enough. I used patterned fabrics which read darker than I thought. But the begi...

This month’s look back doesn’t see very far because I’m sharing rather a recent finish, the Chartres quilt. I introduced it in this blog in October last year (in 2025) when I was still blogging in Finnish. I thought that you might like to see it and know a little bit more about it! Chartres is cute because almost all of its fabrics are super pretty! (Note to self: use your pretty fabrics; it’s worth it!) What's behind the name "Chartres"? You may want to know why I named this quilt Chartres. I did consider inventing a name that would have been related to the other quilt that inspired me. My friend Soile had sewn a gorgeous quilt called Erica, and it might have been nice for the name to give a nod towards it, but I just could not come up with anything. This quilt was nearly called Eeny Meeny, which would at least have had the same initial letter, but then I realised that the nine-patch blocks reminded me of cathedral windows. And a specific cathedral at that. ...

I was going to analyse Lexical, the quilt that launched me as a pattern designer, but I ended up writing a post that isn’t really about the quilt itself. Instead, I found myself reflecting on my own journey. After all, only I can tell that story – anyone can analyse a quilt if they want to. Here’s my journey which led to publishing Lexical, my first commercial quilt pattern – and the journey did NOT begin with a thought “I’m going to become a quilt pattern designer”. Before Lexical, I already loved writing instructions I’d already published numerous quilt block tutorials on my blog and written tutorials and how-to articles for the Finnish quilting magazine. I had dreamed of putting together a book that would combine my quilt patterns with the stories behind the quilts. (Some ten years ago, I even had a professional designer create a couple of sample page layouts for me so that I could see how my book might look.) Back then, though, publishing something commercially was d...

You may have read about my quest to find the perfect binding for this quilt – if not, here’s the post. You may not agree with my choice, but I’m happy. Here she is: the Maxim quilt sewn of X blocks: The finish makes me even happier than identifying the binding fabric! I keep track of all my quilty makes and it is so satisfying to be able to add the entry when an item is finished. The sunny pictures of the Maxim quilt make me happy too: it feels that a quilt doesn’t get properly represented if the celebratory finishing photos are shot when the sun isn’t shining. And summer sun makes the colours look perfect, don’t you think: This quilt is the 98th that I’ve finished since I made my first quilt in 1995 (note that I didn’t make another quilt until 2009 when I launched into quilting for real). It is the 641st quilted item that I’ve finished since I started blogging in November 2009, and the 54th whose name begins with the letter ‘M’. You can see I’m a sucker for s...