Tilkunviilaaja®

Now that I’ve already introduced the Oomph quilted zipper bag to you, I can share this progress shot of my quirky quarter log cabin blocks from early 2000s waiting to become zipper bag panels. When I took the photo, I was still considering this way to pair them: However, I soon discovered that I wanted one of my zipper bags appear sort of red and the other one more blueish, so these became the panels for the “blue” zipper bag: One of my favourite phases in the zipper bag making process is when I've sewn the bag into shape and turned it right side out. I can never imagine the finished shape and size beforehand – my 3-dimensional thinking just isn’t that good. So this moment always feels like a reveal. Then, I like to smooth out the bag lining, pushing its corners into the corners of the outer piece, and continue finger-pressing both pieces away from the zipper. I could use clips to hold the pieces in place, but I prefer pins. This time, I even took a photo of the zipp...

When did I sew these quirky quarter log cabin blocks? I don’t remember exactly, but my guess is that it must have been in the early 2000s. A few years ago, I found six of these blocks in a forgotten storage box. I added some strips to the edges and sewed two and two together – and promptly forgot all about them. This year, the time had come for these quilt blocks to become something. I added a strip to make the surface into a suitable size for a zipper bag, then quilted it and – ta-dah! – the first zipper bag panel was ready! I had to pair this panel with a different surface, which features surprisingly many solids or nearly solids! Such fabrics are a small minority in my stash. Here, the quilted, untrimmed zipper bag panels are waiting for the next phase in the bag-making process: A lot happened between the previous photo and this next one: Trimming Cutting the lining pieces Choosing the zipper and attaching it Side tabs cutting, sewing and attaching...

I was going to analyse Lexical, the quilt that launched me as a pattern designer, but I ended up writing a post that isn’t really about the quilt itself. Instead, I found myself reflecting on my own journey. After all, only I can tell that story – anyone can analyse a quilt if they want to. Here’s my journey which led to publishing Lexical, my first commercial quilt pattern – and the journey did NOT begin with a thought “I’m going to become a quilt pattern designer”. Before Lexical, I already loved writing instructions I’d already published numerous quilt block tutorials on my blog and written tutorials and how-to articles for the Finnish quilting magazine. I had dreamed of putting together a book that would combine my quilt patterns with the stories behind the quilts. (Some ten years ago, I even had a professional designer create a couple of sample page layouts for me so that I could see how my book might look.) Back then, though, publishing something commercially was d...

A couple of days ago I came across a small piece that I’d sewn of half-square triangles. It was a small project to work on at our summer place where I only do hand-sewing – if I sew at all. I had the HSTs with me and sewed them together by hand. Nothing particularly exciting about that find, really. Until I happened to see a picture of “what was going on 10 years ago,” with that piece in it. I’d sewn it together a decade ago, thinking that it would become a quilted item – and it’s still in that same state. This got me thinking about how long things sometimes take in quilting. At least in my quilting. And because I have a lot of material in my blog, it didn’t take long to find examples to share with you. No progress in ten years Almost exactly ten years ago, in July 2016 I had hand-sewn the binding on my Heading North quilt and taken one of my most memorable quilt-finish photos of it. When I was sewing the flying geese blocks for that quilt, I got a whole bunch of bonus half-...

This post is one of my Splendid colour tips series, where I share information to help you choose fabrics and colours for your quilts with more confidence. Today’s post is a little different because it isn’t about any specific colour. Instead, it discusses how you can use a single colour to effect in your quilt. One colour can be surprisingly versatile in quilting, and perhaps this post encourages you to experiment a little. I suggest three basic ways to discover the versatility of using just one colour in a quilting project:  Create a scrappy surface  Make single-coloured blocks Choose one colour and complement it with a neutral I’ve illustrated these three ways with examples of my quilts and quilted items. I also give an answer to the question: “Could the whole quilt be of one colour?” 1. Create a scrappy surface Using your fabric scraps is a low-threshold way to start exploring the idea of using just one colour in a quilt project. If you have a mishmash o...