Tilkunviilaaja®

Today’s splendid tips topic isn’t just one colour, but all the colours – and all at once. In this post, you will see – again – what matters more for your quilt than colour choices do. You will also get seven tips that help you use a multitude of (or all) colours in your quilt while avoiding a chaotic look. What to watch out for when using many colours? My instant reaction to this question is: “nothing!” Though to be honest, there really are a few things to watch out for. If you make a wild, improvisational, unplanned and multicoloured quilt surface, its viewer may not easily find anything there to focus on. If you put such a quilt on show, most of the audience would be likely to move quickly past it to see the next quilt. Even so, a riotously colourful quilt may be fantastic and lovable as an item meant to be used! For example, the overall rhythm of my Spectrolite quilt is inconsistent because some blocks have a really harsh value contrasts whereas others have very little co...

A square is a great shape in quilts. I’m may seem to be stating something obvious because the majority of quilt blocks are square, but this is not the single reason for the square’s greatness. Squares and other straight-edged shapes are easy to handle. In contrast, sewing a flat surface out of curvy shapes is difficult, and thus a great way to show off your sewing skill. One will never be admired for one’s ability to sew squares together! Because quilting is not a competition sport for me, I don’t mind taking things easy. One of the things I love about squares is that when you sew a piece, press and trim it into an exact square, it will be easy to sew together with a similar one and create a flat surface. It takes a bit more time and accurate trimming, but no elite expertise. Just look at these un-pressed, un-trimmed nine-patch pieces and imagine how hard it would be to sew them together like they are here, and avoid the seams turning willy-nilly! Same-sized squares are inter...

I was going to analyse Lexical, the quilt that launched me as a pattern designer, but I ended up writing a post that isn’t really about the quilt itself. Instead, I found myself reflecting on my own journey. After all, only I can tell that story – anyone can analyse a quilt if they want to. Here’s my journey which led to publishing Lexical, my first commercial quilt pattern – and the journey did NOT begin with a thought “I’m going to become a quilt pattern designer”. Before Lexical, I already loved writing instructions I’d already published numerous quilt block tutorials on my blog and written tutorials and how-to articles for the Finnish quilting magazine. I had dreamed of putting together a book that would combine my quilt patterns with the stories behind the quilts. (Some ten years ago, I even had a professional designer create a couple of sample page layouts for me so that I could see how my book might look.) Back then, though, publishing something commercially was d...