Tilkunviilaaja®

To date, I have made more than 650 quilted items, and nearly every one of my them has a unique name. Surprisingly often, I get asked how I can have come up with all of those names. How do I do it? In this post, I’ll discuss the naming in general – for example, why it may be difficult mentally, and why it is so important to name one’s creations. I’ll also share 7 tips for generating names without resorting to an automatic name generator or to an AI assistant. Meaning, how you can come up with names using your own creativity. Why it may be difficult to name one’s quilted items If you think like I thought when I was just starting this hobby, you may want to be modest, not call attention to yourself, and feel that your quilty items are not such works of art that would deserve to be named. Back in my early days, I did not consider myself an artist, not really, and giving a name to a practical item felt like too much. I still don’t quite understand myself – I’m far from a modest, re...

Today’s splendid tips topic isn’t just one colour, but all the colours – and all at once. In this post, you will see – again – what matters more for your quilt than colour choices do. You will also get seven tips that help you use a multitude of (or all) colours in your quilt while avoiding a chaotic look. What to watch out for when using many colours? My instant reaction to this question is: “nothing!” Though to be honest, there really are a few things to watch out for. If you make a wild, improvisational, unplanned and multicoloured quilt surface, its viewer may not easily find anything there to focus on. If you put such a quilt on show, most of the audience would be likely to move quickly past it to see the next quilt. Even so, a riotously colourful quilt may be fantastic and lovable as an item meant to be used! For example, the overall rhythm of my Spectrolite quilt is inconsistent because some blocks have a really harsh value contrasts whereas others have very little co...

It’s time again to share some treasures from my quilty archives with you. Today, I will look back to 2012 when I created a quilted wall textile for my husband for his birthday. He plays the guitar and loves the Finnish custom-made Versoul guitars by Kari Nieminen. In other words, I made my husband a guitar: The official name of this quilted piece is Pasi’s Versoul Henry Gold Leaf Custom. The guitar picture on it is based on a photo that I found back then on the Versoul website. I didn’t want to infringe on Kari Nieminen’s copyright for the photo, so before I even started, I requested and got the permission to use the photo for this purpose. The making of this wall textile I took a screenshot of the picture and pixelated it into as many pixels as I had calculated I could manage when each pixel would be represented by an approximately 2” x 2” fabric square. Then I printed out the pixelated image. Luckily for me, this was an easy picture: black for the background and a variety ...

A square is a great shape in quilts. I’m may seem to be stating something obvious because the majority of quilt blocks are square, but this is not the single reason for the square’s greatness. Squares and other straight-edged shapes are easy to handle. In contrast, sewing a flat surface out of curvy shapes is difficult, and thus a great way to show off your sewing skill. One will never be admired for one’s ability to sew squares together! Because quilting is not a competition sport for me, I don’t mind taking things easy. One of the things I love about squares is that when you sew a piece, press and trim it into an exact square, it will be easy to sew together with a similar one and create a flat surface. It takes a bit more time and accurate trimming, but no elite expertise. Just look at these un-pressed, un-trimmed nine-patch pieces and imagine how hard it would be to sew them together like they are here, and avoid the seams turning willy-nilly! Same-sized squares are inter...