Tilkunviilaaja®

It’s time again to share some treasures from my quilty archives with you. Today, I will look back to 2012 when I created a quilted wall textile for my husband for his birthday. He plays the guitar and loves the Finnish custom-made Versoul guitars by Kari Nieminen. In other words, I made my husband a guitar: The official name of this quilted piece is Pasi’s Versoul Henry Gold Leaf Custom. The guitar picture on it is based on a photo that I found back then on the Versoul website. I didn’t want to infringe on Kari Nieminen’s copyright for the photo, so before I even started, I requested and got the permission to use the photo for this purpose. The making of this wall textile I took a screenshot of the picture and pixelated it into as many pixels as I had calculated I could manage when each pixel would be represented by an approximately 2” x 2” fabric square. Then I printed out the pixelated image. Luckily for me, this was an easy picture: black for the background and a variety ...

Today, it’s time again to share some of my “quilt thinking” and reflections on one of my earlier quilts, and today’s quilt is Gone with the Wind / Tuulen viemää from 2013. When I look at Gone with the Wind now, I notice immediately that quite a few blocks repeat the same fabrics. My present-day me would probably pick more fabric variety! A larger selection of fabrics might make the quilt even more interesting to the eye, and in that sense, the quilt might be “better”. But I’m very happy with the choices that I made back then. Though I was inspired by a quilt image, I figured out the actual block measurements myself because I was still working with a centimeter ruler! I never even tested the original tutorial by Coriander Quilts, so I don’t know if there is a big difference between my measurements and theirs. Though I always wanted quick progress back then, but I still took the time to make t est blocks. I made four versions before I was happy with the proportions. These were t...

A few weeks ago, I came across a blog post where a quilter shared a finish. She mentioned being vaguely unhappy with it even though there wasn’t anything wrong with the blocks and the design. I’m pretty sure that most of us have experienced something similar. Looking at a quilty finish and thinking “this may be okay, but I am so done with this: never again”! Of my around 640 quilting projects, these are five that I would not re-make. I’ve analysed the core reasons and shared my learnings. Spectrolite: Problems all along Many years ago, I enjoyed a fun sew-together Saturday with my quilting guild. One of us shared a clever sew-and-cut method for creating a quilt block. I’d seen a quilt that she had made and oh, it looked so good! I wanted to make something as nice as that one! Because I didn’t quite understand value contrast back then, many blocks had too much of it while others didn’t have enough. I used patterned fabrics which read darker than I thought. But the begi...

This month’s look back doesn’t see very far because I’m sharing rather a recent finish, the Chartres quilt. I introduced it in this blog in October last year (in 2025) when I was still blogging in Finnish. I thought that you might like to see it and know a little bit more about it! Chartres is cute because almost all of its fabrics are super pretty! (Note to self: use your pretty fabrics; it’s worth it!) What's behind the name "Chartres"? You may want to know why I named this quilt Chartres. I did consider inventing a name that would have been related to the other quilt that inspired me. My friend Soile had sewn a gorgeous quilt called Erica, and it might have been nice for the name to give a nod towards it, but I just could not come up with anything. This quilt was nearly called Eeny Meeny, which would at least have had the same initial letter, but then I realised that the nine-patch blocks reminded me of cathedral windows. And a specific cathedral at that. ...