Tilkunviilaaja®

My quilt studio has been unusually quiet since mid-August. First, I spent a relaxing summer vacation at a cottage/villa by a small lake, then had a short mini-break in a hotel, and then my first working week included a lot of activity and a few long days. The first quilting project by the lake was a hand-sewing one. I made hexagons out of scraps using the English paper piecing method and cardboard shapes that I've made many years ago. Though most hexies don't have a specific role yet, some are already attached together into small pieces that I’ll later use as details on my zipper bags. Here’s one example: Of course many of the hexies will become the end pieces for the zippers in pouches that I make for my Open series. Second quilting project. Back at home, when I finally had the energy and opportunity, I worked tenaciously to finish all the nine-patch blocks that I still needed for the quilt surface. I cut squares, sewed nine-patches and pressed. Here are the last 16 bl...

There are quilters who avoid using many multicoloured, patterned fabrics together because combining them feels daunting. Many address this challenge by purchasing curated sets of multicoloured fabrics because the designer has already done the matching. However, combining a variety of fabrics from a variety of designers does not have to be a problem. In this splendid colour tips post, you will find my quilt thinking on the topic of multicoloured, patterned fabrics: what to watch out for when using many such fabrics together and how to use them successfully. What to watch out for when using multicoloured, patterned fabrics Your worst enemy is chaos – unless you are looking for a chaotic effect. My process when making the Goodwill Among Neighbours quilt is an example of how multicoloured patterned fabrics may not always want to play together just like that. I deliberately chose pretty strange combinations of fabrics to some of the blocks thinking that a simple, geometric block wil...

I was going to analyse Lexical, the quilt that launched me as a pattern designer, but I ended up writing a post that isn’t really about the quilt itself. Instead, I found myself reflecting on my own journey. After all, only I can tell that story – anyone can analyse a quilt if they want to. Here’s my journey which led to publishing Lexical, my first commercial quilt pattern – and the journey did NOT begin with a thought “I’m going to become a quilt pattern designer”. Before Lexical, I already loved writing instructions I’d already published numerous quilt block tutorials on my blog and written tutorials and how-to articles for the Finnish quilting magazine. I had dreamed of putting together a book that would combine my quilt patterns with the stories behind the quilts. (Some ten years ago, I even had a professional designer create a couple of sample page layouts for me so that I could see how my book might look.) Back then, though, publishing something commercially was d...

This post is one of my Splendid colour tips series, where I share information to help you choose fabrics and colours for your quilts with more confidence. Today’s post is a little different because it isn’t about any specific colour. Instead, it discusses how you can use a single colour to effect in your quilt. One colour can be surprisingly versatile in quilting, and perhaps this post encourages you to experiment a little. I suggest three basic ways to discover the versatility of using just one colour in a quilting project:  Create a scrappy surface  Make single-coloured blocks Choose one colour and complement it with a neutral I’ve illustrated these three ways with examples of my quilts and quilted items. I also give an answer to the question: “Could the whole quilt be of one colour?” 1. Create a scrappy surface Using your fabric scraps is a low-threshold way to start exploring the idea of using just one colour in a quilt project. If you have a mishmash o...